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About Myself

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Don Low
Singapore

Though Don was born & bred in Singapore, he has never gotten used to the hot & humid climate here. And unlike locals, he has never successfully enjoyed chilly and spicy food without working out a sweat. Therefore he longed to live in the northern part of the earth's hemisphere or the south where he could see a change of seasons and where the weather is not as harsh. Don is basically a self taught artist and an engineer by training.


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In 2006 he was awarded a MDA Media Education Scheme scholarship to pursue an overseas graduate studies in animation. On graduation, his thesis film "Cafe Voyeur" was awarded Honorable Mentions among others from around the globe in the Animag 2009 Students' Film Awards. At the same time, he was also one of the 5 teams chosen for his collaborated entry to be one of the Finalists for the Disney Imagineering ImagiNations Design Competition 2008. In addition he interned and worked a year for The Walt Disney Company Imagineer/Parks & Resorts Online as a Visual Development / Concept Artist.


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Currently he is working as a fulltime illustrator for books, magazines and advertising agencies. His specialties include: Character design, animation designs, creating storyboards, comic and etc. His favorite traditional media includes watercolor, pen & ink, pencil and acrylics. He works digitally with all Adobe programs, Corel Painter and Autodesk Maya specializing in 3D Modeling, Texture Painting and CG Lighting. He hopes to publish his comic books and work full time on his animated film.

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“I am an animator. I feel like I'm the manager of a animation cinema factory. I am not an executive. I'm rather like a foreman, like the boss of a team of craftsmen. That is the spirit of how I work.”
--- Hayao Miyazaki.

Subpages for Typography 101:

Typography 101

Typography 101 :: Font Basics – What Is X-Height, Leading, Kerning, Tracking, Ascender, Descender

Anyone who uses a design or layout program whether for web or print will undoubtedly at some point be using the program’s font / type functions.

What’s to know?

Type is Type!

Well even as a novice, after a little digging around apps like Photoshop, Illustrator, Quark, Indesign etc you find menus and pallets full of options for generating, and formatting type.

Many of us understand enough to get by and rarely delve much deeper than changing font, size and colour.

Some of the other options available may seem daunting or even irrelevant to the novice or casual user, but once understood can provide invaluable tools in controlling how type appears in our layouts.

Below are some simple explainations of some of the standard text formatting options avaiable, supported by images from the tutorial video ‘Typographic Principles – Essentials’ available to view at the excellent lynda.com (subscription required.)

1. X-height (the height of a font’s main body – not including ascenders or descenders)

2. Leading (the space vertically between lines of text – name comes from the physical piece of lead that used to be used in mechanical printing process to separate lines of text)

3. Baseline (the line accross the bottom of a font’s x-height – discounting descenders.)

4. Kerning (the amount a character’s horizontal space encroaches into it’s neighbour.)

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5. Point size (or px size if using pixel based sizes for web.) – (The font size in pixels or points)

6. Ascenders (parts of a character which ‘ascend’ above it’s x-height – upper staff of a lower case b,d,t etc )

7. Descenders (parts of a character which ‘descend’ below it’s x-height – lower tail of a g or y etc.)

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8. Tracking (the horizontal space between each character)

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Here is also a brief depiction of the many versions of a font (in this case ‘Minion’) which can go to make an entire ‘font-family‘. * Note the difference between ‘italic‘ and ‘oblique‘. Italic is a specifically designed version of a font used for italics, Oblique is more like taking the normal ‘regular‘ -(some times called ‘book‘ or ‘Roman‘) member of the family and simply skewing it so that the existing characters lean in a ‘faux italic‘ manner. (This can be useful for instances where a flush baseline is desired but the forward leaning of an italic is necessary, such as logo work.)
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Source: http://www.brightlemon.com/web-design/blog/?p=167

This entry was posted on Monday, May 19th, 2008 at 10:27 am and is filed under Web design, Useful Links, Photoshop, Illustrator, Design, typography. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.

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